Music Genres
In the end - Black veil Brides
Rock
Feature
|
Observation
|
Comment
|
Genre characteristics
|
Electric guitar, black clothes, dark long shaggy hair, eyeliner, tattoos, leather, dystopia, face piercings, rocking on drums
|
These are typical of the rock genre. Repressed?
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Relationship between visuals and lyrics
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‘I’m not afraid to die’ - chorus
'Who will remember this last goodbye?'
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The story shows death at the beginning as well as the lead led to being killed at the end. death is also associated with black
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Relationship between music and visuals
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4/4 beats
| Some of the beats fit the same motion of the instruments |
Close ups (Star image)
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Close ups of lead singer, girl that died
Lots of screen time |
Shows the he is the forefront and the one telling the story
|
Notion of looking
|
lead singer
| |
Intertextuality
|
How will we be remembered when we die
| |
Performance
Narrative
Concept
| Performance |
Lyrics:
In
the end, as we fade into the night (whoa!)
Who
will tell the story of your life?
In
the end, as my soul's laid to rest
What
is left of my body?
Or
am I just a shell?
I
have fought
And
with flesh and blood, I commanded an army
Through
it all
I
have given my heart for a moment of glory
In
the end, as you fade into the night (whoa!)
Who
will tell the story of your life? (Whoa!)
And
who will remember your last goodbye? (Whoa!)
'Cause
it's the end and I'm not afraid
I'm
not afraid to die
I'm
not afraid!
I'm
not afraid to die!
Born
a saint
Though,
with every sin I still wanna be holy
I
will live, again
Who
we are isn't how we live
We
are more than our bodies
If
I fall, I will rise back up and relive my glory
In
the end, as we fade into the night (whoa!)
Who
will tell the story of your life? (Whoa!)
And
who will remember your last goodbye? (Whoa!)
'Cause
it's the end and I'm not afraid
I'm
not afraid to die
In
the end, as you fade into the night (whoa!)
Who
will tell the story of your life? (Whoa!)
And
who will remember your last goodbye? (Whoa!)
'Cause
it's the end, and I'm not afraid
I'm
not afraid to die
Who
will remember this last goodbye? (Whoa!)
'Cause
it's the end, and I'm not afraid
I'm
not afraid to die
I'm
not afraid!
I'm
not afraid to die!
Not
afraid!
I'm
not afraid to die!
Hey ya! - Outkast
Dance/Pop
Feature
|
Observation
|
Comment
|
Genre characteristics
|
Dancing, upbeat, concerts, band
|
|
Relationship between visuals and lyrics
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At a club/ concert. Mostly women enjoying themselves pining over men, shown through close ups of the crowd.
lyrics depict a relationship 'I just want you in my caddy' |
Reflection of modern love as they are "casual". Many references to sex and flirtation
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Relationship between music and visuals
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Dancing, girls
Black singers/ featured throughout |
At a concert, everyone is dancing, screaming and loving the band. Cuts to them on TV and shows people at home also dancing. Feel good song
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Close ups (Star image)
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Increases audiences awareness of the character
|
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Notion of looking
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We're shown the lead singer however mostly women
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Appeals to males more through the lyrics and visuals as they to them more. Women enjoy the upbeat music
|
Intertextuality
|
Is portrayed as an American band coming to England. It's a reference to the Beatles who made crowds go crazy on a TV show in America
|
Inadvertently raising their status? Ironic as the Beatles and Outkast are completely different
|
Performance
Narrative
Concept
|
Performed in front of a crowd
Telling the story of success Performance, Narrative, Concept |
Telling a story, all members of band same person - Concept |
One, two, three, uh!
My baby don't mess around
Because she loves me so
And this I know for sure.
Uh, but does she really wanna
But can't stand to see me
Walk out the door.
Don't try to fight the feelin'
'Cause the thought alone is killing me right now..
Uh, thank god for mom and dad
For sticking two together
'Cause we don't know how...
UH!
Hey... ya.
Hey ya.
Hey... ya.
Hey ya.
Hey... ya.
Hey ya.
Hey... ya.
Hey ya.
You think you've got it
Oh, you think you've got it
But got it just don't get it
'Til there's nothing at all
We get together
Oh, we get together
But separate's always better when there's feelings involved
If what they say is "Nothing is forever"
Then what makes, then what makes, then what makes
Then what makes, what makes, what makes love the exception
So why you, why you
Why you, why you, why you are we so in denial
When we know we're not happy here...
Y'all don't wanna hear me, you just wanna dance
Hey... ya. (oh oh)
Hey ya. (oh oh)
Hey... ya. (Don't want to meet your daddy, oh oh)
Hey ya. (Just want you in my Caddy oh oh)
Hey... ya. (oh oh, don't want to meet yo' mama oh oh)
Hey ya. (Just want to make you cumma oh oh)
Hey... ya. (I'm, oh oh I'm, oh oh)
Hey ya. (I'm just being honest oh oh, I'm just being honest)
Hey, alright now
Alright now fellas yeah!
Now what's cooler than bein' cool?
(Ice cold!)
I can't hear ya'
I say what's, what's cooler than bein' cool?
(Ice cold!)
Woo...
Alright, alright, alright, alright
Alright, alright, alright, alright
Alright, alright, alright, alright
Alright, alright,
OK now ladies (yeah!)
Now we gon' break this thing down in just a few seconds
Now don't have me to break this thing down for nothing
Now I wanna see y'all on your baddest behavior
Lend me some sugar, I am your neighbor
Uh! Here we go...
Shake it, shake, shake it, shake it (oh oh)
Shake it, shake it, shake, shake it, shake it, shake it (oh
oh)
Shake it, shake it like a Polaroid picture, shake it, shake
it
Shh you got to, shake it, shh shake it, shake it, got to
shake it
(Shake it sugar) shake it like a Polaroid picture
Now all Beyoncé's and Lucy Liu's
And baby dolls, get on the floor
(Get on the floor)
You know what to do.
You know what to do.
You know what to do!
Hey... ya. (oh oh)
Hey ya. (oh oh)
Hey... ya. (oh oh)
Hey ya. (uh oh, hey ya)
Hey... ya. (oh oh)
Hey ya. (uh, uh, oh oh)
Hey... ya. (oh oh)
Hey ya. (oh oh)
Secrets - The Weeknd
R & B
Feature
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Observation
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Comment
|
Genre characteristics
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Sexy, girls, sexual, fashionable clothes. Usually quite "cool"
|
Usually quite fashionable with the singer very much having an 'image' and loving girls, often referencing them throughout
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Relationship between visuals and lyrics
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'I hear the secrets that you keep, when your talking in your sleep' - shes on a bed, exposed
We see close ups of the woman we are made to sexualise Cross cutting between woman and the weeknd, shows their relationship and how the lyrics relate to them |
Song about cheating, she is cheating on him. Most songs nowadays are about relationships
|
Relationship between music and visuals
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Slow, drawn out but still with a strong beat, reflects the mood of the people in the video
| Sets a smooth seductive mood |
Close ups (Star image)
|
The Weeknd is in the centre
Lots of screen time dominates |
The weeknd himself is forfront sometimes panning to the woman to show who he is speaking about
|
Notion of looking
|
Some of woman's body exposed, showing her legs
| |
Intertextuality
|
Saying that this relationship is built on lies
| |
Performance
Narrative
Concept
|
How relationships can sometimes be bad or damaging to a person through lies
Narrative, Concept |
Everybody here wants you
My love, my love
And I know that you want him too
My love, my love
I ask you what your heart desires
My love, my love
You tell me I'm the only one
My love, my love
My love, my love
And I know that you want him too
My love, my love
I ask you what your heart desires
My love, my love
You tell me I'm the only one
My love, my love
It's a lie, a lie
I catch you every time
In your lust, your lust
Every time you close your eyes
I catch you every time
In your lust, your lust
Every time you close your eyes
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
You told me not to worry 'bout
Those guys, those guys
You told me that you left it all behind
Behind
Those guys, those guys
You told me that you left it all behind
Behind
It's a lie, a lie
I catch you every time
In your lust, your lust
Every time you close your eyes
I catch you every time
In your lust, your lust
Every time you close your eyes
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
Wipe... the...
Lust from your eyes
I see that you're not mine
I can see the lust in your eyes
You can't hide it
You can't be the one
I realize, we're divided
Lust from your eyes
I see that you're not mine
I can see the lust in your eyes
You can't hide it
You can't be the one
I realize, we're divided
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
I hear the secrets that you keep
When you're talkin' in your sleep
I hear the secrets that you keep, keep, keep
When you're talk, talkin', talkin'
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